000			01903cam a2200361 i 4500
001			18616424
003			NU
005			20250526110549.0
008			150513t20152015ph b f001 0 eng
010			_a 2015321155
020			_a9789715427609
040			_aDLC _beng _cDLC _erda _dDLC
042			_alcode _apcc
043			_aa-ph---
050	0	0	_aPN 2087 T53 2015
100	1		_aTiatco, Sir Anril Pineda, _eauthor.
245	1	0	_aEntablado : _btheaters and performances in the Philippines / _cSir Anril Pineda Tiatco.
264		1	_aDiliman, Quezon City : _bUniversity of the Philippines Press, _cc2015.
264		4	_c©2015
300			_axii, 209 pages ; _c23 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
365			_b300
504			_aIncludes bibliographical references and index.
505			_aChapter 1 : Positioning Philippine theaters: a question of cultural homogeneity -- Chapter 2 : Komedya, heritage, and national theater: The University of the Philippines Komedya Fiesta 2008 -- Chapter 3 : Imag(in)ing St. Peter: performing catholicism and community narrative -- Chapter 4 : Performing ambivalence: nailing on the cross and the fluvial procession -- Chapter 5 : Protest performance, social theater, and the National Artist Award in 2009 -- Chapter 6 : Familiarity and ambiguity, dislocation and relocation: the theater of Josefina Estrella -- Afterthoughts : The future of theater and performance studies in the Philippines.
520			_aA collection of essays, this book attempts to continue the conversation on theater and performance studies in the context of Philippine scholarship. _cBack cover
546			_aIn English.
650		0	_aTHEATERS _zPHILIPPINES.
650		0	_aTHEATERS _xSTAGE-SETTING AND SCENERY _zPHILIPPINES.
710	2		_aUniversity of the Philippines Press, _epublisher.
942			_2lcc _cBK _n0
999			_c6174 _d6174