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Digital cinema in the Philippines, 1999-2009 / Eloisa May P. Hernandez

By: Hernandez, Eloisa May P [author]Material type: Text

TextPublication details: Quezon City : The University of the Philippines Press, c2014Description: xvii, 300 pages : black and white illustrations ; 23 cmISBN: 9789715427234Subject(s): DIGITAL CINEMATOGRAPHY -- PHILIPPINESLOC classification: TR 892 H47 2014

Contents:

Introduction : Framing digital cinema in the Philippines -- Chapter One : History of digital cinema in the Philippines -- Chapter Two : Political economy of digital cinema in the Philippines.

Summary: Digital Cinema in the Philippines, 1999-2009, traces the technological shift in the Philippine cinema, from celluloid to digital, by narrating the history of digital cinema in the country from 1999 to mid-2009. It investigates how digital films in the Philippines are produced, distributed, and exhibited, as well as tentatively examines Philippine digital cinema's aesthetic tendencies that emerged from the shift from celluloid to digital filmmaking. The book also explores the notions of independence in relation to Philippine digital cinema and Philippine film industry. back cover

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Status	Date due	Barcode
Books	NU Fairview College LRC	NU Fairview College LRC	School of Arts and Sciences	Technical Services	FIL TR 892 H47 2014 (Browse shelf(Opens below))	Available		NUFAI000005791

Includes bibliographic references and index.

Introduction : Framing digital cinema in the Philippines -- Chapter One : History of digital cinema in the Philippines -- Chapter Two : Political economy of digital cinema in the Philippines.

Digital Cinema in the Philippines, 1999-2009, traces the technological shift in the Philippine cinema, from celluloid to digital, by narrating the history of digital cinema in the country from 1999 to mid-2009. It investigates how digital films in the Philippines are produced, distributed, and exhibited, as well as tentatively examines Philippine digital cinema's aesthetic tendencies that emerged from the shift from celluloid to digital filmmaking. The book also explores the notions of independence in relation to Philippine digital cinema and Philippine film industry. back cover

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