Group dynamics : collectives of the modernist period / Gen Adachi [and twenty seven others]
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NU Fairview College LRC | NU Fairview College LRC | General Circulation | GC N 6488 G76 2022 (Browse shelf(Opens below)) | Available | NUFAI000004267 |
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GC N 332 D76 2022 Bauhaus, 1919 - 1933 / | GC N 332 D76 2023 The Bauhaus : 1919-1933 : reform and avant-garde / | GC N 5300 K46 2014 Art in history / | GC N 6488 G76 2022 Group dynamics : collectives of the modernist period / | GC N 6537 E46 2021 Jean-Michel Basquiat 1960 - 1988 : the explosive force of the streets / | GC N 7430 P35 1988 The painting drawing course | GC N 8222 C65 2004 Common ground |
In or out -- Distribution : subjects of solidarity -- Arts schools : education and discourse -- Nsukka school : natural synthesis -- Grupo dos cinco : expropriating the self -- Bombay progressive artists' group & lahore art circle : unity in diversity -- Madrasat al-khartoum/Al-Kristaliyyun : What's in the name? -- Grupa "A.R" : The collective as collector -- Artistas del pueblo & Martin Fierro : Group identity as antagonism -- Casa blanca school : On the stage of history -- Kokuga sosaku kyokai, Kokuyokai, Action, Mavo, Sanka : Japanese Artists' groups of the Taisho-Period.
The catalogue "Group Dynamics : Collectives of the Modernist Period" sets out from the observation that the art-historical scholarship on the specific ways in which artists' groups have shaped the evolution of art remains fragmentary and often narrowly focused on the West. Instead of staging a contest of rivaling aesthetic tendencies, the show sheds light on the development of collectives and the historical circumstances in which they emerged, reconstructing their political agendas and visions both practicable and, in some instances, utopian. The ubiquity of similar historical structures and communal strategies in different settings underscores the crucial role that collectives have played in introducing and disseminating central ideas and innovations within and beyond modernist art. OCLC OLUC.
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