Visual communication : understanding images in media culture / Giorgia Aiello, Katy Parry.

By: Aiello, Giorgia [author]Contributor(s): Parry, Katy [author]Material type: TextTextPublication details: Thousand Oaks, CA : SAGE Publications, c2020Edition: 1st editionDescription: xii, 295 pages : colored illustrations ; 24 cmISBN: 978-1-4129-6224-7 (pbk.)Subject(s): VISUAL COMMUNICATIONSLOC classification: P 93.5 A34 2020
Contents:
CHAPTER 1 : INTRODUCTION. -- CHAPTER 2 : UNDERSTANDING IMAGES IN MEDIA CULTURE: METHODOLOGICAL CONSIDERATIONS. -- PART I : IDENTITIES. -- CHAPTER 3 : ENVISIONING THE SELF IN DIGITAL MEDIA. -- CHAPTER 4 : COMMUNICATING VISIONS OF COLLECTIVE IDENTITY. -- CHAPTER 5 : WAYS OF SEEING DIFFERENCE BEYOND STEREOTYPES. -- PART II : POLITICS. -- CHAPTER 6 : IMAGES OF POLITICIANS IN THE PUBLIC SPHERE. -- CHAPTER 7 : THE VISUAL SPECTACLES OF PROTEST AND ACTIVISM. -- CHAPTER 8 : PICTURING INTERNATIONAL CONFLICT AND WAR. -- PART III : COMMODITIES. -- CHAPTER 9 : THE VISUAL ATTRACTIONS OF ADVERTISING AND PROMOTIONAL CULTURE. -- CHAPTER 10 : VISUALIZING LIFESTYLES AS COMMODITIES. -- CHAPTER 11 : BRANDS AS VISUAL EXPERIENCES. -- CHAPTER 12 : CONCLUSION. -- REFERENCES. -- INDEX. --
Summary: Visual Communication: Understanding Images in Media and Culture provides a theoretical and empirical toolkit to examine implications of mediated images. It explores a range of approaches to visual analysis, while also providing a hands-on guide to applying methods to students' own work. The book: • Illustrates a range of perspectives, from content analysis and semiotics, to multimodal and critical discourse analysis • Explores the centrality of images to issues of identity and representation, politics and activism, and commodities and consumption • Brings theory to life with a host of original case studies, from celebrity videos on Youtube and civil unrest on Twitter, to the lifestyle branding of Vice Media and Getty Images • Shows students how to combine approaches and methods to best suit their own research questions and projects An invaluable guide to analysing contemporary media images, this is essential reading for students and researchers of visual communication and visual culture.
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Books Books NU Fairview College LRC
NU Fairview College LRC
Non-fiction General Circulation GC P 93.5 A34 2020 (Browse shelf(Opens below)) Available NUFAI000005417

Includes references, indexses.

CHAPTER 1 : INTRODUCTION. --
CHAPTER 2 : UNDERSTANDING IMAGES IN MEDIA CULTURE: METHODOLOGICAL CONSIDERATIONS. --
PART I : IDENTITIES. -- CHAPTER 3 : ENVISIONING THE SELF IN DIGITAL MEDIA. -- CHAPTER 4 : COMMUNICATING VISIONS OF COLLECTIVE IDENTITY. -- CHAPTER 5 : WAYS OF SEEING DIFFERENCE BEYOND STEREOTYPES. -- PART II : POLITICS. -- CHAPTER 6 :
IMAGES OF POLITICIANS IN THE PUBLIC SPHERE. -- CHAPTER 7 : THE VISUAL SPECTACLES OF PROTEST AND ACTIVISM. -- CHAPTER 8 : PICTURING INTERNATIONAL CONFLICT AND WAR. -- PART III : COMMODITIES. -- CHAPTER 9 : THE VISUAL ATTRACTIONS OF ADVERTISING AND PROMOTIONAL CULTURE. -- CHAPTER 10 : VISUALIZING LIFESTYLES AS COMMODITIES. -- CHAPTER 11 : BRANDS AS VISUAL EXPERIENCES. -- CHAPTER 12 : CONCLUSION. -- REFERENCES. -- INDEX. --

Visual Communication: Understanding Images in Media and Culture provides a theoretical and empirical toolkit to examine implications of mediated images. It explores a range of approaches to visual analysis, while also providing a hands-on guide to applying methods to students' own work. The book: • Illustrates a range of perspectives, from content analysis and semiotics, to multimodal and critical discourse analysis • Explores the centrality of images to issues of identity and representation, politics and activism, and commodities and consumption • Brings theory to life with a host of original case studies, from celebrity videos on Youtube and civil unrest on Twitter, to the lifestyle branding of Vice Media and Getty Images • Shows students how to combine approaches and methods to best suit their own research questions and projects An invaluable guide to analysing contemporary media images, this is essential reading for students and researchers of visual communication and visual culture.

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